Be aware: The remainder of this interview accommodates spoilers for “Den of Thieves 2: Pantera,” so proceed accordingly.
I would love to listen to extra about Huge Nick’s arc, particularly. There is a good reveal that occurs on the finish with Nick turning these folks into the police, however he is at such a low level that it feels plausible that he might have truly legitimately flipped. So inform me concerning the change that you just needed the viewers to expertise with this character on this film versus what we noticed within the first one.
In order that’s, once more, chatting with what we simply talked about. It is like the place is Nick in his life when he goes on this journey? Possibly he went over there with one intention: “I’ll convey Donnie down. This motherf***er pisses me off. He received away with it.” After which he will get there and he meets the native regulation enforcement guys, would not get together with them. They deal with him like s***. And he is at a international place after which instantly he sees someone that he is aware of, though it is Donnie, it is a acquainted face. It is like for those who’re touring someplace in a part of the world and also you see someone [and you’re] like, “Oh my God, what’s up man?” and there is an on the spot connection there, and he is experiencing all these feelings. It is like a curler coaster, this fixed up and down. We needed to play with that all through the movie to really feel which method is he going to go? and to know the journey, the emotional curler coaster, that he is on.
However on the finish of the day, it is like, “Man, I am a cop. I am unable to do that.” However then on the similar time, he’s like, “That is fairly enjoyable.” And the technical advisor and marketing consultant, my good friend who labored with us on “Den 1,” Jay, we talked to him so much about Nick’s character in “Den 2.” And Jay was an undercover cop for years and years, and there is that push-pull, proper? You get right into a world, you are all gung ho and rah-rah, and “I’ll convey these guys down,” and you then get to know them and also you truly sort of like them. After which by the point it is time to convey them down, you’re feeling like s***. They nearly turn into a surrogate household for him. Now he is destroying that. It is like, “My household life at dwelling’s screwed up. Now I’ve this new household and now I am bringing them down too.” And he feels horrible. It is like, “Who am I? What am I doing?” It is just a little little bit of an identification disaster.
There are such a lot of nice heist motion pictures that faucet into that. I am considering of “Level Break,” and the “Quick and Livid” motion pictures do that as effectively. So by way of cinematic references, there are clearly 1,000,000 heist motion pictures on the market. So did you watch any of these in preparation for this, both for points that you just needed to pay homage to or for issues that you just knew that you just did not wish to do?
I noticed 10 minutes of the primary “Quick and Livid” and did not see any of the opposite ones. None of them. It was actually, “Ronin” was an enormous affect. “Gomorrah,” “Suburra,” after which plenty of the previous French New Wave like Melville and “Le Cercle Rouge” and “Rififi” and “Borsalino” and all these nice motion pictures. I imply, I’ve seen a lot of the old style classics. A whole lot of the brand new stuff I have never actually seen that a lot of, to be trustworthy. But it surely’s actually about, you do the analysis, you go into the world, and also you do your individual factor. You attempt to be distinctive and authentic to your self. You are probably not making an attempt to … I imply, clearly as artists, all of us have influences, after all, however there wasn’t something actually particular that we had been [going for], homage-wise. Extra the vitality and vibe of sure movies. “Ronin” was an enormous one, once more, an American character in Europe and kind of a mix between American and European cinema, proper? However there was no particular homage, no.
Had been you ever apprehensive at any level, as a result of it has been a number of years for the reason that first film, that one other fashionable heist movie would come alongside and have a really related plot level or one thing like that. Do you ever fear about that as a filmmaker in any respect?
I imply, you at all times sort of do, what I imply? I’ve had issues prior to now as a author the place you write a script, a spec, and it is nice, after which instantly you understand there is a very, very related one popping out. I had that after years in the past, I labored on a challenge known as “The Firm,” after which after we had been nearly to set it up and go make it, that film “The Recruit” got here out with Colin Farrell and Al Pacino. And actually, it was primarily the identical film. In order that killed our film. They beat us to the punch by a number of months. So sure, after all you sort of take into consideration that, however you have to simply put your greatest foot ahead, do your factor, and hope for the perfect, proper?